Resident at the Parco della Musica, the orchestra primarily performs its Rome concerts in the Sala Santa Cecilia. Officially founded in 1585, it has evolved over the centuries from an organization of largely "local" musicians to a modern academy and symphonic concert organization of international repute. The subject field is required. Antonio Pappano became the orchestra's music director in 2005. Among the sovereigns were Queen Victoria of England and her consort, Albert; William IV of Prussia and his wife, Elisabetta Luigia, and the rulers of Naples, Ferdinando II and his wife, Maria Teresa Isabella of Austria. The most recent innovation has been the digitisation and cataloguing of centuries of musical documents—including an important collection of traditional music in the ethnomusicological archives—and their preservation and eventual display in the Accademia's multimedia library and archive also available to the public online. Successive relocations were to the church of San Paolino alla Colonna (1622–52), Santa Cecilia in Trastevere (1652–61), San Nicola dei Cesarini (1661–1663), Chiesa della Maddalena (1663–85), and, finally, San Carlo ai Catinari in 1685. 0680242503-504, fax no. Successively, the Congregazione changed ecclesiastical base six times, from the Pantheon (1585-1622) to San Paolino alla Colonna (1622-52), to Santa Cecilia in Trastevere (1652-61) to San Nicola dei Cesarini (1661-1663) to the Chiesa della Maddalena (1663-85). When the competition failed, the Auditorio Pio on Via della Concilazione became guest hall for the 1958-59 season, and so it remained until the end of the century. The new role of the Regia Accademia di Santa Cecilia: 1870-1945 The Accademia and the Gestione Autonoma are presided over by the same President (who is also superintendent and artistic director), and who is elected by the academicians from their own ranks. Please enter the subject. [1], The early 18th century is considered to have been a particularly glorious time for the Accademia. The Accademia also maintains a musical instruments museum (the MUSA). But certain long-standing problems were being faced with a new spirit: musical instruction, for example, laying the foundations for the institution of a music school; or assistance for members, for whom an Instituzione di Beneficenze or "charity institution" (later a Cassa di mutuo soccorso or "mutual aid fund") was set up at the Cassa di Risparmio di Roma. Soon other courses will be added to the traditional intensive high-level courses instituted by law in 1939, flanked as always by specialization courses and masterclasses that include Opera Studio, a laboratory conducted by Renata Scotto. The first seat of the Congregation from 1585–1622 was the church of Santa Maria ad Martires, better known as the Pantheon. A particularly splendid period unfolded while Cardinal Pietro Ottoboni was protector of the Congregazione (1691-1739). Among the crowned heads of Europe who were honorary members was Queen Victoria. The Accademia is the only example among Italian academies originating in the Renaissance to have assumed the form of a productive modern organisation. Please re-enter recipient e-mail address(es). L'Accademia Nazionale di Santa Cecilia in the second half of the 1900's The institution in that period was often in rivalry with the other important musical organization of Papal Rome of the day, the Sistine Choir. The list of active and honorary members of the Accademia during that period is formidable and includes Cherubini, Mercadante, Donizetti, Rossini, Paganini, Auber, Liszt, Mendelssohn, Berlioz, Gounod, and Meyerbeer. Flutes: Adriana José Morais Ferreira, Andrea Oliva, Nicola Protani, Oboes: Francesco Di Rosa, Paolo Pollastri, Anna Rita Argentieri, Bassoons: Andrea Zucco, Francesco Bossone, Fabio Angeletti, Trumpets: Alfonso González Barquín, Andrea Lucchi, Ermanno Ottaviani, Antonio Ruggeri, Trombones: Andrea Conti, Estebán Méndez Chaves, Percussion: Edoardo Giachino, Andrea Santarsiere, Davide Tonetti, This page was last edited on 5 October 2019, at 09:51. Beginning with the unification of Italy, new and diverse peregrinations awaited the Regia Accademia di Santa Cecilia. Subsequent music directors included Franco Ferrara (1944–1945), Fernando Previtali (1953–1973), and Igor Markevitch (1973–1975). As concert seasons were developed and consolidated with stable artistic ensembles and a large number of subscribers, the Accademia wound up assuming an aspect unique for its genre, which it still preserves today even after cutting ties with many of the entities and schools that were founded along with it. [1] Thomas Schippers had been named the next music director to succeed Markevitch, but Schippers died in December 1977 before he could formally assume the post. The E-mail Address(es) you entered is(are) not in a valid format. T +39 06 80242501, PARTITA IVA 05662271005 . Another event worth noting was the 1774 nomination of the first female associate, composer Maria Rosa Coccia. Officially founded in 1585, it has evolved over the centuries from an organization of largely "local" musicians to a modern academy and symphonic concert organization of international repute. 30 cm. Rivalry centred on the rights to control access to the musical profession, to train musicians, and to publish music. Please enter your name. All the major exponents of the European music world of the day were enrolled as honorary associates, including: Cherubini, Morlacchi, Mercadante, Donizetti, Mayr, Rossini, Pacini, Paer, Paganini, Spohr, Auber, Adam, Baillot, Liszt, Cramer, Thalberg, Czerny, Moscheles, Mendelssohn, Berlioz, Thomas, Halévy, Gounod, Meyerbeer; the ballerinas Maria Taglioni and Fanny Cerrito; the actress Adelaide Ristori; and librettists Jacopo Ferretti and Carlo Pepoli. Copyright © 2001-2020 OCLC. John Cage, Piano music (3 cd Brilliant Classic, 2010, pf. Please select Ok if you would like to proceed with this request anyway. The E-mail Address(es) field is required. It was founded as a "congregation", or "confraternity", and over the centuries has grown from a forum for local musicians and composers to an internationally acclaimed academy active in music scholarship (with 100 prominent music scholars forming the body of the Accademia), music education (in its role as a conservatory) and performance (with an active choir and a symphony orchestra, the Orchestra dell'Accademia Nazionale di Santa Cecilia). And though its offices, first housed as guests in the "Ferro di cavallo" ("Horseshoe") in Via di Ripetta along with those of the Accademia Filarmonica Romana and other institutions, were to soon find a definitive home within the ex-Orsoline Convent on Via Vittoria, the concerts themselves were to move from the Sala Accademica (1895-1908) to the Augusteo (1908-1936) to Teatro Adriano (1936-46). L'Accademia Nazionale di Santa Cecilia è una delle più antiche istituzioni musicali al mondo. Would you also like to submit a review for this item? Towards the end of the century, a new pontifical Breve signed by Pio VI in 1794 ratified once again the privileges of Santa Cecilia associates, as they confirmed their loyalty to the papacy during one of the Papal State's most difficult eras, affected as it was by the winds of revolution blowing through Europe. All rights reserved. The Congregazione in its first century of existence: 1585-1685 The institution in that period was often in rivalry with the other important musical organization of Papal Rome of the day, the Sistine Choir. You may have already requested this item. AUDITORIUM PARCO DELLA MUSICA . It went from being the seat of a Liceo musicale—a music "high school"—to being a full-blown conservatory; also, it hosts the "Eleonora Duse" Drama School, as well as a centre for experimental cinema. Again this year, Ghella is a Patron of the Accademia Nazionale di Santa Cecilia, one of the oldest musical institutions in the World.. Roma, Accademia nazionale di Santa Cecilia, 1970. Classical music concerts in Rome - Symphonic concerts in Rome, ACCADEMIA NAZIONALE DI SANTA CECILIA . From Congregazione to Pontificia Accademia: 1830-1870 It is based at the National Academy of St Cecilia, one of the oldest musical institutions the world. The Accademia suspended operations during the revolutionary period of the Napoleonic Wars but opened regularly again in 1822 a few years after the Restoration brought about by the Congress of Vienna. The Accademia Nazionale di Santa Cecilia is one of the oldest musical institutions in the world. [2] The music directorship of the orchestra remained vacant until 1983, with the advent of Giuseppe Sinopoli as music director. The most recent innovation has been the digitisation and cataloguing of centuries of musical documents—including an important collection of traditional music in the ethnomusicological archives—and their preservation and eventual display in the Accademia's multimedia library and archive also available to the public online. [1], Coordinates: 41°55′44″N 12°28′28″E / 41.92889°N 12.47444°E / 41.92889; 12.47444, Learn how and when to remove these template messages, Learn how and when to remove this template message, Orchestra dell'Accademia Nazionale di Santa Cecilia, Academy of Sciences of the Institute of Bologna, Accademia Nazionale delle Scienze detta dei XL, Ateneo Veneto di Scienze, Lettere ed Arti, https://en.wikipedia.org/w/index.php?title=Accademia_Nazionale_di_Santa_Cecilia&oldid=961646966, Educational institutions established in the 1580s, Articles needing additional references from January 2017, All articles needing additional references, Articles with self-published sources from January 2017, Articles with multiple maintenance issues, Articles containing explicitly cited English-language text, Wikipedia articles with MusicBrainz place identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 June 2020, at 17:12.
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