The first Venice production, at the Teatro La Fenice, was not until 1856. The famous overture to the opera is often heard independently of the complete work. By the end of the exchange, Arnold is prepared to confront Gesler the moment he arrives; Tell persuades him to at least let the festival pass in peace, but knows he has gained a convert to the cause of freedom. The activities are interrupted by the ranz des vaches resounding from the hills (often performed by off-stage horns, and echoing in its theme the ranz de vaches in the opera's overture). [6] In New York, William Tell was first presented on 19 September 1831. Soldiers sing of the glories of Gesler and the Emperor. Gesler notices the affection Tell has for his son, and has Jemmy seized. ), This page was last edited on 6 November 2020, at 11:18. Tell informs them of Gesler's death, but cautions that Altdorf still stands. [10] A live recording of this concert performance was released in 2011, and the production was transferred to The Proms in July of that year, with Michele Pertusi taking on the title role, Patricia Bardon[11] as Hedwige, Nicolas Courjal as Gessler, and Mark Stone as Leuthold. Il meurt victime de son amour pour son pays – "Save William! Arnold sees Mathilde, who declares herself "disabused of false grandeur" and ready to join the fight for liberty at his side. [1] Obstaja tudi freska iz leta 1582 v kapeli v Bürglenu, ki prikazuje dogodek. The gathered Swiss fighters and women sing a paean to the magnificence of nature and the return of freedom in a lyrical C major (Tout change et grandit en ces lieux... Liberté, redescends des cieux – "Everything is changing and growing grander in this place... Liberty, descend again from heaven") as the ranz des vaches motif returns once again and finally. Hedwige is wandering by the lake, distraught. Arnold, aware of Tell's arrest, is dispirited, but, set on revenge, draws strength from being in his father's former home and sings a moving lament (Ne m'abandonne point, espoir de la vengeance... Asile héréditaire... – "Do not abandon me, hope of vengeance... Home of my forefathers"). However, when Walter tells him that Gesler has executed his father Melchthal, Arnold vows revenge (Qu'entends-je? Gessler ga je nato vprašal, zakaj ima v toku še eno puščico. V nevihti na jezeru Lucern je Tellu uspelo pobegniti. The entire on-stage cast sings in celebration (Célebrons tous en ce beau jour, le travail, l'hymen et l'amour – "Let all celebrate, on this glorious day, work, marriage and love"). For the Grétry opera, see, Lithograph of the composer by Charlet Ory, 1829, Kirby, Percival R., "Rossini's Overture to, Manuscript letter with Rossini's autograph signature from Rossini to Valentino (Paris, 9 August 1829), thanking Valentino for preparing and conducting the orchestra (, "Report from Santa Cecilia", 3 September 2010, on santacecilias.it, "Review: A New, Abstract 'Guillaume Tell' at the Met Opera", BnF catalogue général – Notice bibliographique, The New Grove Dictionary of Music and Musicians, International Music Score Library Project, Portrait of the opera in the Online opera guide www.opera-inside.com, https://en.wikipedia.org/w/index.php?title=William_Tell_(opera)&oldid=987339627, Creative Commons Attribution-ShareAlike License, "Ah, Mathilde, je t'aime et je t'adore" (Arnold, act 1), "Que la gloire puisse exalter nos cœurs" (Arnold, Tell and Walter, act 2), "Pour notre amour... Sur la rive étrangère" (Mathilde, act 3), "Asile héréditaire... Amis, amis, secondez ma vengeance" (Arnold, act 4), Osborne, Richard (2004), "Rossini's Life", in Emanuele Senici (Ed. Gesler and the soldiers come into view, intent on recapturing Tell, who kills Gesler with a single shot and the cry, "Let Switzerland breathe!" Viljem Tell je tudi naslov zadnje Rossinijeve opere (1829), ki je nastala po literarni predlogi - drami Wilhelm Tell Friedricha Schillerja. Arnold and his band enter, and break the happy news: they have taken Altdorf. Viljem Tell (nemško Wilhelm Tell; francosko Guillaume Tell; italijansko Guglielmo Tell) je legendarni heroj, katerega resnični (zgodovinski) obstoj je vprašljiv. [3] The opera's length, roughly four hours of music, and casting requirements, such as the high range required for the tenor part, have contributed to the difficulty of producing the work. Tell mu je odvrnil, da bi v primeru, da bi svojega sina zadel, svoj lok obrnil nanj. Guillaume Tell és una òpera en quatre actes de Gioachino Rossini segons un llibret francès d'Étienne de Jouy i Hippolyte Bis, basat al seu torn en Wilhelm Tell de Friedrich von Schiller sobre el personatge de Guillem Tell.S'estrenava a l'Opéra de París el 3 d'agost de 1829. It is the men of the canton of Unterwalden coming to join the fight, and describing their journey in a rather gentle refrain (Nous avons su braver). The opera was Rossini's last, although he lived for nearly 40 more years. [6] Another version of the story refers only to Act II. Tell confesses his desire to kill Gesler with the second arrow, and both he and Jemmy are seized for execution. It is the day of the Shepherd Festival, in May, near Lake Lucerne. Seeing the men armed, Arnold launches into the hugely demanding (Amis, amis, secondez ma vengeance – "Friends, friends, assist my vengeance"), replete with multiple and sustained top Cs. In some versions, Mathilde, Jemmy and Hedwige sing a moving trio (Je rends a votre amour un fils digne de vous – "I return to your love a son worthy of you"). Roger Alier, Marc Heilbron y Fernando Sans Rivière: https://gl.wikipedia.org/w/index.php?title=Guillaume_Tell&oldid=5358738, Wikipedia:Páxinas que usan ligazóns máxicas ISBN, licenza Creative Commons recoñecemento compartir igual 3.0. V nasprotnem primeru bi usmrtili oba. A última edición desta páxina foi o 16 de xaneiro de 2020 ás 10:18. – "What do I hear? William Tell (French: Guillaume Tell, Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play William Tell, which, in turn, drew on the William Tell legend. His wife and son add their own interpretation of Ruodi's song, presaging the coming nautical dramas. [8], In the later 20th century there were major productions in Florence (1972), Geneva (1979, 1991), La Scala (1988), Théâtre des Champs-Élysées (1989), Covent Garden (1990), and then Opéra Bastille (2003)[3] as well as at the Sportspalace in Pesaro (lasting over 5 hours, 1995). In quick succession, they are joined by the men of Schwyz (En ces temps de malheurs) and Uri (Guillaume, tu le vois). [9] This performance was of the French version, with some cuts to particularly the fourth act (which Pappano noted had been approved by Rossini himself). Inquiring as to where Arnold is going, Tell persuades him to consider joining the planned rebellion against the governor. [7] It was revived at the Metropolitan Opera in 1923 with Rosa Ponselle and Giovanni Martinelli, and there were revivals during the 1930s in Milan, Rome, Paris, Berlin and Florence. The horns also signal the arrival of Melchthal, a respected elder of the canton. William Tell stands apart from the general merriment, however: he is consumed with ennui at Switzerland's continued oppression (Il chante, et l'Helvétie pleure sa liberté – "He sings, and Helvetia mourns her liberty"). Soldiers have noticed Tell and his son in the crowd, refusing to pay homage to the hat, and drag him forward. He dies a victim of his love for his country"). He sings an anguished aria to Jemmy, instructing him (Sois immobile – "Stay completely still"), and the two separate. Guillaume Tell (en galego, Guillerme Tell) é unha ópera en catro actos con música de Gioachino Rossini e libreto en francés de Étienne de Jouy e Hippolyte Bis, baseados na obra Wilhelm Tell de Friedrich Schiller, que ten como protagonista ao lendario heroe da independencia suíza Guillerme Tell.Foi estreada na Ópera Garnier de París o 3 de agosto de 1829 Živel naj bi v zgodnjem 14. stoletju, v švicarskem kantonu Uri. Gesler's guards arrive, led by Rodolphe, who is further incensed by the villagers' prayers and their evident joy at the escape. Wikimedijina zbirka ponuja več predstavnostnega gradiva o temi: Viljem Tell Rodolphe recognises him as the man who assisted in Leuthold's escape, and Gesler orders his arrest. She tells the other women she intends to beg Gesler for Tell's life. Arnold appears, and each confesses to the other their desire for this meeting.
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