Michael Brooke . [10] Stanley Kubrick listed La Notte as one of his top 10 favorite films. Trad: San Giovanni decollato, il vostro corpo è martoriato, per la vostra decollazione, datemi aiuto e consolazione. Lidia finally tells him about Tommaso's death and recounts how Tommaso used to support her, have faith in her and urge her to study, believing she was intelligent, and offer his affections to her, but she eventually chose Giovanni because she loved him. [1] Filmed on location in Milan, the film is the relationship between a disillusioned novelist and his frustrated wife as it follows a single day and night where they confront their alienation from each other and the empty Milan circles they travel. [6] Document N° 33395 signed on 2 November 1960 [6] by Minister Renzo Helfer. La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). Identifikation einer Frau | In addition, the committee imposed the following scenes be deleted: 1) the scene at the hospital with Mastroianni and the young lady must end at the moment when the two start to kiss each other; 2) the scene in the dressing room in which it is possible to see the naked breasts of Moreau; 3) the word “whore,” said by one of the two ladies walking in the park, must be removed; 4) the final scene in which Mastroianni and Moreau hug each other and start rolling down the grass, the scene can resume when the panning shot shows the landscape without displaying the two actors. Der Schrei | They drive to a party celebrating Giovanni's new book, which has been well received. Der Schriftsteller Giovanni ist mit der schönen Lidia seit zehn Jahren verheiratet, doch nichts scheint das attraktive Paar mehr zu verbinden. Die Nacht (Originaltitel: La notte) ist ein italienisch-französischer Spielfilm von Michelangelo Antonioni aus dem Jahr 1961. The Night of San Lorenzo, the night of the shooting stars, is the night when dreams come true in Italian folklore. Die Synchronregie übernahm Hermann Gressieker, der auch das Dialogbuch verfasste. Giovanni continues to initiate sex in a bunker on the golf course, beneath a grey morning sky. Giovanni is reluctant to accept and leaves the offer open. A doctor in Fascist Italy is exiled to a remote village for his political views. She bathes, but he makes no move on her. A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups. Der Bewertungsausschuß möchte die Vorläufigkeit seiner Feststellungen ausdrücklich betonen, die nichts anderes sein sollen als die gleichsam erste Reaktion auf ein filmisches Gebilde, für das ganz ohne Zweifel der Begriff ‚genial‘ verfügbar ist. [2][3][4] It is one of Stanley Kubrick's 10 favorite films and received 4 votes from critics and 6 votes from directors in the Sight & Sound greatest films poll. As they flirt, she teaches him a game she just invented, sliding a compact across the floor to try to land on certain of the floor's large checkerboard squares, and soon others gather to watch their competition. "One must do something", she says. [11], The film was selected as the Italian entry for the, Italian Ministry of Cultural Heritage and Activities, Italian National Syndicate of Film Journalists, List of submissions to the 34th Academy Awards for Best Foreign Language Film, List of Italian submissions for the Academy Award for Best Foreign Language Film, Academy Award for Best Foreign Language Film, "Antonioni Offers 'The Night': Story of a Lost Union", Buffalo Bill and the Indians, or Sitting Bull's History Lesson, https://en.wikipedia.org/w/index.php?title=La_Notte&oldid=986154612, Articles with unsourced statements from October 2019, Articles containing explicitly cited English-language text, Creative Commons Attribution-ShareAlike License, Giorgio Negro (actually Gaetano "Tanino" Negroni, a well known Roman eye surgeon) as Roberto, 1962 Italian National Syndicate of Film Journalists Silver Ribbon for Best Score (Giorgio Gaslini), 1962 Italian National Syndicate of Film Journalists Silver Ribbon for Best Supporting Actress (Monica Vitti), This page was last edited on 30 October 2020, at 03:29. I love you. Was this review helpful to you? März 2020 um 22:10 Uhr bearbeitet. The rich had it all." Giovanni stays behind and as he leaves his friend's room, a sick and uninhibited young woman attempts to seduce him, and he goes into her room and reciprocates even though it is clear the woman is not in her right mind, until they are interrupted by the nurses. Lidia suggests they leave the club and attend a swanky party thrown by a millionaire businessman. Später erhält Lidia die Nachricht, dass Tommaso im Krankenhaus gestorben ist. Danach treffen sie sich wieder zu Hause und gehen auf Lidias Wunsch in einen Nachtclub, wo ein schwarzes Artistenpaar zu Jazz-Musik auftritt. There is, for instance, a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry, exposing the lack of stimulation before nature takes a flagellating hand. Later they see each other alone and Giovanni makes a pass at her, kissing her while Lidia looks on from the floor above. After many adventures and near-disasters, they end up in Hollywood... See full summary ». Giovanni sees Valentina and follows after her, leaving Lidia alone. Giovanni und Lidia amüsieren sich oberflächlich auf der Party. Antonioni gewann mit diesem Film den Goldenen Bären auf der Berlinale 1961. "[9] Crowther praises Antonioni's ability to develop his drama "with a skill that is excitingly fertile, subtle and awesomely intuitive. Giovanni flirtet mit der hübschen Valentina Gherardini, der Tochter des Gastgebers. Valentina invites Lidia to dry off in her room, where Lidia confronts her directly about her husband. Sia di beni, sia di mali, facitimi vidiri qualchi signali. Back at the apartment, Giovanni finally hears from Lidia and he picks her up from the old neighborhood, which seems to have little sentimental value for him. Die rote Wüste | I'm sure I'm still in love with you". This FAQ is empty. Die Nacht endet, und Lidia gesteht ihrem Mann, dass sie ihn nicht mehr liebe. As Lidia is about to jump in from the diving board, Roberto stops her, takes her to his car and they drive off. Giovanni embraces and kisses her but she resists, saying she no longer loves him and nor does he love her. La Notte eröffnet bereits im Formalen Perspektiven, deren genaue Untersuchung von einem Ausschuß, dem nur begrenzte Zeit zur Verfügung steht, nicht geleistet werden kann. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui, desolation and despair. Die Nacht | We meet ruthless fascists, and caring catholic priests and every moment describes to us the terrifying truth, and the hope that lets one continue. La Notte ([la ˈnɔtːe]; English: "The Night") is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). In 1944, the residents of a small Italian town under Axis control flee their homes to seek out the liberating Allied forces. Overwhelmed with grief, she watches from a window as the guests enjoy themselves. Liebe in der Stadt | This movie shows us the sparseness of their lives, and the things that they still hold dear. Die Äußerungen des Bewertungsausschusses zu dem Film La Notte können nichts anderes sein als unvollkommene, fragmentarische Bemerkungen, die sich von irgendwelchen Interpretationskünsten fernhalten.“[4], Die deutsche Synchronfassung entstand 1961 bei der Ultra Film Synchron in Berlin. La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). They spend some time with the host, Mr. Gherardini (Vincenzo Corbella), who seems disappointed by his wealth and exchange insincere flattery. Giovanni bemerkt, wie weit er sich von Lidia entfernt hat. Dieser hat ein lukratives Angebot für Giovanni. I could not imagine a more realistic, and emotional epic on the subject. With Omero Antonutti, Margarita Lozano, Claudio Bigagli, Miriam Guidelli. Want to share IMDb's rating on your own site? After a while Lidia leaves. Giovanni muss zu einer Promotion-Party für sein neues Buch.
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