First published: Ho trovato ogni specie di fiera meno spietata di te: non avrei potuto essere affidata a nessuno peggio che a te! This page was last edited on 2 July 2020, at 13:44. Morto Asterione, re di Creta, Minosse, il figlio adottivo, salì sul trono.Per dimostrare ai due fratelli il suo diritto alla successione, pregò Poseidone, dio del mare, di inviargli un toro da sacrificare.Minosse, però, anziché sacrificarlo, lo mise tra le sue mandrie. Traduzione delle Heroides 10. [5] It is debated whether Handel may have chosen the subject of his next opera, Arianna in Creta, as a direct challenge to Porpora's piece at the new opera company, or whether Handel arrived at the subject before Porpora. The Athenians embark in Crete, alongside a stone tablet with the terms of the Athenian tribute inscribed on it. The opera is scored for flute, two oboes, bassoon, two horns, strings, and continuo (cello, lute, harpsichord). The story unfolds in the island of Crete where several young Athenian men are brought to be ritually sacrificed, and Athenian maidens are to be delivered as victims to a minotaur that lives in a labyrinth. The girl, however, had been brought up by an ally of Athens', King Archeus of Thebes, in the belief that she was his own child. Language: Italian Instruments: A cappella . 2015/2016. Editorial Board of the Halle Handel Edition: Handel's Guide: Volume 4. German publishing house for music, Leipzig 1985, historically informed musical performance, "Dazzling coloratura delights in Handel's Arianna in Creta", "Simply outstanding: Arianna in Creta at the Halle Handel Festival", International Music Score Library Project, GFHandel.com review by Philippe Gelinaud of the Petrou recording, Agrippina condotta a morire or Dunque sarà pur vero, The Ways of Zion Do Mourn / Funeral Anthem for Queen Caroline, Sing Unto God/Anthem for the Wedding of Frederick, Prince of Wales, https://en.wikipedia.org/w/index.php?title=Arianna_in_Creta&oldid=988431457, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 November 2020, at 03:33. Fast. The Athenian hero Teseo is on the way to Crete, resolved to do this and end his peoples' suffering, and to join with Arianna, whom he loves, and whom Minos has demanded as a hostage to ensure that the Athenian young people will be sent for sacrifice. Documenti correlati. Traduzione delle Heroides 10. [1], As with all Baroque opera seria, Arianna in Creta went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s,Arianna in Creta, like all Handel operas, receives performances at festivals and opera houses today. Teseo asks permission to marry Arianna, and Minos agrees on condition that her father gives his consent. King Minos agrees to Teseo's request that Arianna be freed. O la tua nuova moglie te lo impedisce? Ve lo raccontiamo. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. She refuses. Dal mito di Teseo e Arianna nasce il modo di dire “Piantare in asso”. Condividi. Una sintesi. Handel went into partnership with John James Heidegger, the theatrical impresario who held the lease on the King's Theatre in the Haymarket where the operas were presented and started a new opera company with a new prima donna, Anna Strada. [2] Carilda is however secretly in love with Teseo and is interested in neither Tauride or the Athenian youth Alceste, who is also in love with Carilda. In this new venture, Handel had found that revisions of previous English language works such as Acis and Galatea and Esther, together with a new oratorio in English, Deborah, were extremely popular with audiences, albeit with the same Italian singers who were currently appearing in his operas on the same stage, including the star castrato Senesino, who had been a mainstay of Handel's operas for years, and whose pronunciation of the English texts caused some ridicule.[8][9]. A tremendous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. Long before the action of the opera, King Minos of Crete fought a war with King Aegeus of Athens, who had killed Minos' baby son and carried away his baby daughter. Knapp (1995) Handel's operas 1704-1726, p. 298. Biblioteca:Ovidio, Heroides, 10. View the Wikipedia article on Lamento d'Arianna. Per favore, accedi o iscriviti per inviare commenti. Una sintesi storica di Alberto Cavarzere, Arturo De Vivo, Paolo Mastrandea, LA LETTERATURA LATINA DI CONTE GIAN BIAGIO, Cavarzere De Vivo Letteratura latina. O Teseo, Teseo mio Dove, dove è la fede Ahi, che non pur risponde General Information. Per favore, accedi o iscriviti per inviare commenti. See also the individual pages for other editions: Title: Lamento d'Arianna When he awakes, all indecision has been removed from his mind - he is determined to kill the monster. Teseo offers to go into the labyrinth to meet the Minotaur in her place, which Minos accepts, but makes Arianna jealous, believing Teseo must be doing this out of love for Carilda. He was a very animated and intelligent actor, and having a considerable portion of enthusiasm in his composition, with a lively and inventive imagination, he rendered every thing he sung interesting by good taste, energy, and judicious embellishments. Description: Il Lamento d'Arianna is composed of madrigal arrangements from the opera Arianna (lost): The lament was saved from oblivion by Monteverdi's decision to publish it independently from the opera: first in 1614 (SV 107) as a five-voice madrigal, then in 1623 (SV 22) as a monody and finally, in 1640, as a sacred hymn. Anno Accademico. Athens had to pay tribute to Crete as a term of ending the war - once every seven years seven Athenian youths and seven Athenian maidens had to be sent to Crete to be devoured by the Minotaur, a half-man, half-bull monster that lurked in a labyrinth from which escape was all but impossible. Inside the palace, a double betrothal is announced - the hero Teseo will marry his Arianna and Alceste has now been accepted by Carilda. As a replacement for and rival to Senesino, Handel engaged an equally renowned castrato for the role of Teseo, Giovanni Carestini, of whom 18th century musicologist Charles Burney wrote: “His voice was at first a powerful and clear soprano, which afterwards changed into the fullest, finest, and deepest counter-tenor that has perhaps ever been heard... Carestini’s person was tall, beautiful, and majestic.
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