Purchased by the Italian State, it returned to the Villa Borghese in 1908. [5] The new cult was installed in the already ancient Temple of Ceres, Liber and Libera, Rome's Aventine patrons of the plebs; from the end of the 3rd century BC, Demeter's temple at Enna, in Sicily, was acknowledged as Ceres' oldest, most authoritative cult centre, and Libera was recognised as Proserpina, Roman equivalent to Demeter's daughter Persephone. Sono la Dea del Fiore, una stagione nella natura e nella vita di ogni donna. The Rape of Proserpina (Italian: Ratto di Proserpina) is a large Baroque marble sculptural group by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622.Bernini was only 23 years old at its completion. L’espressione ora avida di Plutone, ora sofferente e ribelle di Proserpina, è chiara e leggibile. The eighteenth-century French visitor Jerome de la Lande allegedly wrote: "Pluto's back is broken; his figure extravagant, without character, nobleness of expression, and its outline bad; the female one no better". [11] An early 5th century Latin version of the same myth is Claudian's De raptu Proserpinae; in most cases, these Latin works identify Proserpina's underworld abductor and later consort by the Roman god of the underworld's traditional Latin name, Dis. Qui Proserpina era intenta a raccogliere fiori in compagnia di altre ninfe, figlie di Oceano, quando attratta da un narciso, si piega a raccoglierlo. Pensando al ratto di Proserpina è impossibile non associare il mito alle sue rappresentazioni nell’arte: numerose e varie, tutte rendono giustizia alla bellezza di Proserpina e alla ferocia di Plutone che la rapisce. [4] Howard Hibbard makes similar comments noting the realistic effects that Bernini had achieved via carving hard marble, such as the "texture of the skin, the flying ropes of hair, the tears of Persephone and above all the yielding flesh of the girl". While reminiscent of Mannerism, particularly Giambologna's The Rape of the Sabine Women, Bernini permits the viewer to absorb the scene from one single viewpoint. [8] Another French visitor to the Villa Ludovisi was equally critical, stating: "The head of Pluto is vulgarly gay; his crown and beard give him a ridiculous air, while the muscles are strongly marked and the figure poses. Interpretare e motivare il mito del ratto di Proserpina ci porta a diverse conclusioni: la prima è che i greci vollero giustificare l’alternarsi delle stagioni, e in particolare l’avvento della Primavera, in maniera molto originale e come d‘abitudine coinvolgendo l’Olimpo e le sue forze divine. Un articolo che lo analizza nei dettagli. Decline of Greco-Roman polytheism. In the autumn Ceres changes the leaves to shades of brown and orange (her favorite colors) as a gift to Proserpina before she has to return to the underworld. Bernini was only 23 years old at its completion. Ho voluto iniziare con il racconto del rapimento di Proserpina per permettere al lettore di immaginare la scena e di trasporla nel meraviglioso marmo scolpito da Gian Lorenzo Bernini tra il 1621 e il 1622. Quite soon after its completion, the statue was given by Scipione to Cardinal Ludovisi in 1622, who transported it to his villa. Sehen Sie sich alle Hotels in der Nähe von Il Ratto Di Proserpina auf Tripadvisor an. [1][2] The word "Rape" is the traditional translation of the Latin raptus, "seized" or "carried off", and does not refer specifically to sexual violence. It depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It is not a true divinity, but a decorative god..."[9], Others have remarked on the twisted contrapposto or figura serpentinata pose of the group. Secondo Proclo (Epitome Oraculorum, riportata da Marafiotus) e Strabone (lib.
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