Cardinal Trevisan, later also known as Scarampi Mezzarota, took part in the council of Mantua in 1459: the portrait was commissioned from Mantegna when the artist was still in Padua, shortly before he established himself in Mantua. Andrea Mantegna nasce all'Isola di Carturo (chiamata dal 1963 Isola Mantegna) agli inizi del 1431, anche se cenni storici potrebbero datare il compleanno del pittore già alla fine del 1430. Însemnată este contribuția sa la crearea spațiului compus în perspectivă.. Viața Pen, brush, part iron gall ink, browned white paper. Prendo spunto da un tema molto noto per presentare una selezione di opere di diversi autori con lo stesso soggetto. Andrea Mantegna (1431-1506), painter and engraver, the first fully Renaissance artist of northern Italy. Andrea Mantegna was born in Isola di Cartura near Padua in northern Italy around 1431 CE. Questa pagina è stata modificata per l'ultima volta il 10 set 2018 alle 18:35. Andrea Mantegna (Isola di Carturo, Padua, 1431-Mantua, 1506) Date. Department of Prints and Drawings. maggiori informazioni su questo materiale illustrativo su questo sito. See more ideas about Renaissance art, Renaissance, Art. Detail from A Sibyl and a Prophet, 1490. Museum. Un collezionista mantovano del Rinascimento. Size. E Galeazzo Maria Sforza aveva fatto bruciare dei disegni per un suo ritratto “parendoghe non lo avesse facto bene”. Nov 4, 2019 - Explore Lino Luongo's board "Andrea Mantegna" on Pinterest. Nov 27, 2018 - Explore Marco Antonio Lara's board "Andrea Mantegna" on Pinterest. The Florentine sketch and the ’Self-portrait in the Camera picta both have shared features such as the wrinkled brows, the shape of the eyes and the bags underneath them, the bold nose and the mouth with its characteristic lines. See more ideas about Renaissance art, Italian painters, Italian renaissance. Francesco Gonzaga era il figlio secondogenito del marchese di Mantova Ludovico III Gonzaga, eletto cardinale a diciassette anni da Pio II poco dopo il Concilio di Mantova. 47 x 36.8 cm. Mantegna gave a notable attention not only to the details of the face (lips, wrinkles, the clerical tonsure), but also to the garments, indicating his high social status. Il Ritratto del cardinale Ludovico Trevisan è un dipinto tempera su tavola (44,8x33,9 cm) di Andrea Mantegna, databile al 1459-1460 e conservato nella Gemäldegalerie di Berlino. Tutte le opere d'arte relative a soggetti simili uomini, Ritratti con colori simili a quelli di questa opera d'arte: Tutte le opere d'arte Museo Poldi Pezzoli (Milan, Italy), Tutti 233 i Opere D'Arte da Andrea Mantegna, Carinthian State Museum (Klagenfurt, Austria), Devonshire Collection (Chatsworth, United Kingdom), Gabinetto Nazionale Delle Stampe (Rome, Italy), J. Paul Getty Museum (Los Angeles, United States), Kunsthistorisches Museum (Vienna, Austria), Metropolitan Museum Of Art (New York, United States), Musée Du Louvre Département Des Peintures (Paris, France), National Gallery Of Art (Washington, United States), National Gallery (London, United Kingdom). The identification of the painting's subject as the Venetian cardinal Ludovico Trevisan is confirmed by several copies of the work, as that once in the Bromley Davenport Collection including the man's name, titles and coat of arms, as well as by a medal attributed to Cristoforo di Geremia or an etching included in the 1630 Illustrium virorum elogia, where it is also specified that the portrait belonged to Francesco Leone of Padua. US: +1 (707) 877-4321 The Portrait of Cardinal Ludovico Trevisan is a painting by the Italian Renaissance artist Andrea Mantegna, dated to c. 1459-1460.. History. The latest Tweets on #Mantegna. A conferma della scarsa disponibilità di Mantegna verso i ritratti cosmetici resta l’episodio di Isabella d’Este che giudicava irricevibile un proprio ritratto da lui eseguito: “ne ha tanto malfatta… non ha le nostre simiglie”. Read what people are saying and join the conversation. The expression on the face should be considered in the light of the use of masks, considered a fundamental part of Mantegna’s antiquarian culture. Con notevole sensibilità l'artista fa emergere sotto l'abito ecclesiastico l'aspetto ancora fanciullesco e ingenuo del ragazzo, caratterizzando con naturalezza l'età adolescenziale. The identification of the painting's subject as the Venetian cardinal Ludovico Trevisan is confirmed by several copies of the work, as that once in the Bromley Davenport Collection including the man's name, titles and coat of arms, as well as by a medal … Arrange your visit in Florence, find prices and opening hours of the museum. In his self-portrait, Mantegna combined both the apotropaic mask and the myth of the Gorgon who, in ancient Greece, also had magical purposes. Il giovane cardinale è ritratto con l'abito porporato di profilo su uno sfondo scuro. '이.탈.리.아 문화' 카테고리의 글 목록 (2 Page) :: All that 이탈리아, "Untitled" Andrea Mantegna - Artwork on USEUM. The most likely period for this drawing preceded the conclusion of the works in the Camera picta and therefore, 1474 could be the timeframe, understood as post quem time limit. About This Piece This artwork is the officially approved image from Pariss Muse du Louvre as part of the French Museum Collection RMN This collection representing artwork from over top European museums and private sources honors the very best of the worlds curated original art by making these works available for the first time as museumapproved highquality giclee prints and canvas reproductions that can be personalized to suit any decorating style and vision Figurative Art Think reality…. At a young age, Andrea was sent off to Padua to study under the artist Francesco Squarcione (1394-1474 CE). Technique. The serious and concentrated glance and the detail of the closed lips underline the strong character of the man, who was not only a politician and diplomat, but also a war leader. Il Ritratto del cardinale Ludovico Trevisan è un dipinto tempera su tavola (44,8x33,9 cm) di Andrea Mantegna, databile al 1459 - 1460 e conservato nella Gemäldegalerie di Berlino.
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